<?xml version="1.0" encoding="UTF-8" standalone="yes"?><feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en-US"><title>Freezerbox Magazine - John Muller</title><link rel="self" href="http://www.freezerbox.com/archive/author.php?id=45&#38;output=atom" /><link rel="alternate" href="https://www.freezerbox.com"/><rights type="html">Copyright &#38;copy; 1997-2026 Infocrat, LLC. All rights reserved.</rights><logo>https://www.freezerbox.com/images/ads/freezerbox/bomb_88x31.gif</logo><id>https://www.freezerbox.com</id><updated>2026-04-14T23:37:37Z</updated><entry><title>The Tin Drum: Language and the Collective Memory</title><link rel="alternate" href="https://www.freezerbox.com/archive/article.php?id=39"/><summary type="html">The history of this century has been &#34;written&#34; with images. In the &#34;The Tin Drum&#34; Schl&#195;ndorff deliberately recreates visually similar images to those in &#34;The Triumph of the Will&#34; to make the formerly spectacular seem everyday, namely in a political demonstration that is thrown off by a drumbeat and dispersed by a downpour. Did someone in Oklahoma miss the point?</summary><category term="Film"/><author><name>John Muller</name></author><published>1998-09-15T07:00:00Z</published><updated>-0001-11-30T07:52:58Z</updated><id>https://www.freezerbox.com/archive/article.php?id=39</id></entry></feed>