<?xml version="1.0" encoding="UTF-8" standalone="yes"?><rss version="2.0"><channel><title>Freezerbox Magazine - John Muller</title><link>https://www.freezerbox.com/archive/author.php?id=45&#38;type=</link><description>John Muller</description><language>en-us</language><copyright>Copyright &#38;copy; 1997-2026 Infocrat, LLC. All rights reserved.</copyright><image><title>Freezerbox Magazine</title><url>https://www.freezerbox.com/images/ads/freezerbox/bomb_88x31.gif</url><link>https://www.freezerbox.com</link><width>88</width><height>31</height></image><item><title>The Tin Drum: Language and the Collective Memory</title><link>https://www.freezerbox.com/archive/article.php?id=39</link><description>The history of this century has been &#34;written&#34; with images. In the &#34;The Tin Drum&#34; Schl&#195;ndorff deliberately recreates visually similar images to those in &#34;The Triumph of the Will&#34; to make the formerly spectacular seem everyday, namely in a political demonstration that is thrown off by a drumbeat and dispersed by a downpour. Did someone in Oklahoma miss the point?</description><category>Film</category><pubDate>Tue, 15 Sep 1998 07:00:00 GMT</pubDate><guid>https://www.freezerbox.com/archive/article.php?id=39</guid></item></channel></rss>